baklot
A strip of 35mm film on a light table. One frame is circled in red grease pencil and three are crossed out. A loupe sits beside it.

Baklot tells you when a take is no good.

It turns a written brief into a short film, and refuses to ship any shot that hasn't been proven to show what it was asked to show. When it can't tell, it stops and waits for a person instead of guessing.

Request access

Anyone can open an account with an email address and look around. Productions run once the account is approved.

A penlight shines into the open lens mount of a film camera, lighting the gate inside.

Every shot is judged department by department.

You've had a shot that looked right as a thumbnail and fell apart on the timeline. Each department here looks for one way that happens, and writes its own verdict on the take.

One generated shot, as the production reported it.
DepartmentLooks forVerdict
TechnicalFrame count, frame rate, frame size and audio, measured with ffprobe against what the shot asked for.Pass
Motion presenceEnough movement to read as a living picture. A still frame dressed up as video fails.Pass
Shot continuityOne unbroken take. A clip that jumps partway through fails.Pass
Camera stabilityWhole-frame jitter and warp, kept apart from the subject's own movement.Pass
State sequenceEach subject moves through the states the shot declared, in order.Pass

Each verdict is reported on its own, so when a shot fails you can see which department failed it.

A gate only gets a vote once it has caught the fault it looks for.

A film strip of grey density steps under the reading head of a densitometer on a lab bench.

Every gate is tested on control clips: a real clip known to have the fault, and a real clip known to be clean. To arm, it has to fail the first and pass the second.

What a gate must say to arm
Known faultFail
Known cleanPass

The worker image runs those controls while it is being built, and the build stops unless the gates arm. Five local gates arm there. Gates that depend on an outside vendor stay unarmed, so a shot they would have judged holds for a person instead of taking their vote.

An empty chair pushed back from a flatbed editing table at night, one frame of a desert road stopped on its screen.

When it can't certify a shot, the production stops.

It waits at a checkpoint until a person has looked at the shot and made the call.

It says no before it spends.

Each production has a spending cap. A call that would take it over the cap is refused before the call is made, not after.

A missing key is refused the same way, before any paid generation, and the refusal names the key and the gate that needs it.

account_status on a live account, before its Fal key was saved
missingForEveryProduction: ["Fal"]

Productions run on your own vendor accounts and are billed to them directly. Your keys are sealed when you save them and never shown again. Saving them through the write-only form keeps them out of your chat transcripts.

A hand rests beside the red run button of a film camera without pressing it.

Every verdict names the exact file it judged.

Media is stored under a fingerprint of its own bytes, and each verdict is bound to the bytes it judged. Change one frame and it is a different file. The old verdict stays with the old file.

Rows of taped film cans on steel shelves in a vault, one can pulled forward.
This cut came back from a brief sent in as a tool call.
Cut
14 Oct 2026
Picture
1920 × 1080 at 30 fps
Length
150 frames
Video
h264, with audio
Spend
56 cents
Fingerprint
sha256:499038dd…
Checked
ffprobe, against the manifest

How access works.

  1. Sign in. Use your email address at mcp.baklot.ai. A single-use code opens the account.
  2. Look around. A new account can browse from the first sign-in.
  3. Wait for approval. Productions are refused until the account is approved.
  4. Save your vendor keys. Productions are billed to your own vendor accounts. Each key is sealed when you save it.
  5. Connect your assistant. Claude or ChatGPT writes the brief and sends it to Baklot.

Request access

An empty studio backlot street at first light, a golf cart parked by a stage door.